Sandalphon 20, 1790 — In an age ruled by globalized magic and colossal industry, YEQON—an Atompunk megacorporation of boundless ambition—has upended the collector’s world. By trading directly with the extra-dimensional realms of Tikun, it now floods the Kenomitian market with artifacts of alien beauty and terrible allure.
A small collection of Fae artifacts from Tikun, displayed in a Kenomitian gallery (Credit: Kenomitian)
YEQON, headquartered in the Kingdom of Albion, has long been synonymous with heavy industry, oil, aerospace, and energy. Yet, beneath its iron exterior lies a golden vein of artistry. Through its subsidiary, the Nachzehrer Group, the corporation now channels an unending stream of Fae artifacts from Tikun—an otherworldly dimension whose cultures defy Yeshite logic. Today, the Fae provide an intoxicating mix of refinement and strangeness, reshaping the modern collector’s imagination.
YEQON’s trade operations within Tikun are not merely logistical marvels; they are acts of interdimensional conquest. The corporation’s reach spans the Oneiroi—known for their living architecture and sentient sculptures—to the glittering plutocracy of El Dorado, where the oras fae craft luxuries that blur the line between life and object.
The living, biomechanical structures of Oneiroi, a realm conquered by YEQON (Credit: Kenomitian)
Executives stationed in Tikun’s higher demesnes act as both diplomats and raiders. Some negotiate art contracts; others simply take what dazzles the boardroom’s eye. The results are treasures unlike any seen since the early colonial centuries—artifacts imbued with living Mana, Prosopon essences, and whispers of alien theology.
Among the most coveted items are the vanishing artifacts of Agartha, a toroidal realm where Fae mine not metals, but ideas. The manussiha artisans there forge works that embody concepts—sculptures of transience, chalices of vanished color. To own one is to own the moment before meaning collapses. In Golachab, YEQON agents brave the hexagonal towers of Babel, where the carcolh archivists sell encrypted relics of cosmic correspondence. Each scroll or relic bears a secret—an exchangeable currency in both occult and financial markets.
A manussiha artisan in Agartha forging a vanishing artifact, embodying concepts of transience (Credit: Kenomitian)
YEQON’s Atompunk creed—ancient order fused with radiant machinery—finds its echo in these acquisitions. The Nachzehrer Group transforms Fae crafts into commercial products: enchanted textiles, automata enshrined with familiars, sculptures of metamorphic geometry. Fae artisans toil under harsh hierarchies, their creations classified as corporate property. Like colonial craftsmen of past ages, they are celebrated in catalogues but silenced in person. Yet the beauty of their works—shaped from biotic metals and magical sinews—cannot be denied.
A carcolh archivist within Golachab’s hexagonal towers of Babel, guarding encrypted cosmic relics (Credit: Kenomitian)
To the collector, each object carries dual seduction: the alien perfection of its making, and the echo of exploitation that birthed it. The Fae aesthetic balances admiration with unease. YEQON’s marketing feeds this tension. Glossy catalogues describe “bioluminescent reliquaries from Gaia” and “plutonic fetishes of El Dorado,” while investors whisper of Supernal patrons—Azazel, the Deviless of Pollution, and Nyarlathotep, the Titan of Hoarding—who bless these ventures.
An Atompunk automaton from the Nachzehrer Group, enshrining a trapped Fae familiar (Credit: Kenomitian)
The corporation’s wide religious affiliations ensure dominance over multiple supernatural economies. In the Vitalist Church’s markets, artifacts of regenerative faith fetch fortunes; in Kaeerist circles, flesh-wrought relics from Tikun’s agricultural district of Gaia command reverence. Here, silenoi fae merge art and biology into grotesque elegance—living sculptures that breathe and bleed. YEQON traders call them bioicons, destined to adorn the penthouses of Albion’s elite.
A silenoi fae with a living bioicon, a grotesque yet elegant creation from Gaia’s biological districts (Credit: Kenomitian9
The Revival of the Collector’s Dream
The company’s Corpo-credit system (YCC) now anchors interdimensional commerce. Through alliances with Thelemic Corporate Paradise and the Hahasiah Space Colonization Treaty, YEQON sustains monopolies in both physical and metaphysical goods. Each purchase of a Tikun artifact—whether a coded crystal from Babel or a gilded cog from El Dorado—represents not just ownership, but participation in the corporate dominion over the arcane.
Fascination veils domination. The new collectors’ cabinets glitter with moral ambiguity: beauty extracted through hierarchy, spirituality refined into commodity. Still, for those who crave the truly unique, YEQON delivers the impossible. The company’s triumph is twofold—economic and symbolic. It has conquered not just a market, but the idea of rarity itself. In this, the Atompunk titan fulfills its creed: to turn every mystery into merchandise, every myth into an asset, and every Fae masterpiece into the next prize of the modern age.
